Absence Adorned | Glass Dress Sculptures
I use the absent nude cloaked in transparent glass dresses to investigate the tension between humanism and eroticism, the physical and the ethereal, the body and the spirit.
The sculptures are at once intensely physical – muscles and flesh strain against clinging fabric – and yet insubstantial: the figures are absent, implied only by the shapes pressing against the clothing.
Read MoreThe sculptures are at once intensely physical – muscles and flesh strain against clinging fabric – and yet insubstantial: the figures are absent, implied only by the shapes pressing against the clothing.
