Karen LaMonte - Artist, Cast Glass Sculptor, Monotype Printmaker, Sculpture, Fine Art, Glass Sculpture Karen LaMonte - Images of Artwork: sculptures in cast blown and cast glass, and monotype prints Karen LaMonte - Current Exhibitions: Imago Gallery, Heller Gallery, SOFA Karen LaMonte - Reviews of Artwork, Articles, Publications - Glass Magazine - Contemorpary Art from UrbanGlass - Glashaus Magazine Karen LaMonte - Resume Search Site Contact Information: Email, Telephone, Address, Newsletter Museum Collections: National Gallery of Australia - Fine Arts Museum of San Francisco De Young Memorial Museum - Tuscon Museum of Art - Charles Wustum Museum of Fine Art - Corning Museum of Glass - Museum of American Glass Search Site Karen LaMonte - Images of Artwork: sculptures in cast blown and cast glass, and monotype prints Karen LaMonte - Resume Museum Collections: National Gallery of Australia - Fine Arts Museum of San Francisco De Young Memorial Museum - Tuscon Museum of Art - Charles Wustum Museum of Fine Art - Corning Museum of Glass - Museum of American Glass Contact Information: Email, Telephone, Address, Newsletter Karen LaMonte - Current Exhibitions: Imago Gallery, Heller Gallery, SOFA Karen LaMonte - Reviews of Artwork, Articles, Publications - Glass Magazine - Contemorpary Art from UrbanGlass - Glashaus Magazine Karen LaMonte - Artist, Cast Glass Sculptor, Monotype Printmaker, Sculpture, Fine Art, Glass Sculpture

Karen LaMonte - Reviews of Artwork, Articles, Publications


From New York
World News
December 1995
by Karen Chambers

Excerpted from the original Japanese

(PICTURE WITH ARTICLE: "BLINDFOLDED" NOT CURRENTLY IN DIGITAL FORMAT)

    Heller's "Glass America" is always a mixed bag, but then American glass is, too. Each January the Heller brothers present a large group show in their Soho gallery. …

A totally different approach to the figure was Karen LaMonte's Italiante "puppets." Blown using Venetian decorative techniques and recalling glass figurines made for the tourist crowd, the best designed by Bianconi in the 1950s, LaMonte's figures have a crude exuberance that is appealing. With plenty of glass training from the Rhode Island School of Design; Parson School of Design classes taught at the New York Experimental Glass Workshop; Pilchuck and Penland summer schools, this stance is a deliberate aesthetic choice.